


He did play really loud, and it's very possible the conga mics for example were picking it up. Unless it was added during a remastering, what you're hearing is likely to be something else like a distant mic and/or tight room ambience, possibly bleed-through from other open mics during the session.

PS: Detune as an effect was not available at the time the Abraxas album was recorded. (The spots where the guitar is double-tracked are pretty obvious, so I assume that isn't what you're trying to replicate.) The extra torque from the engine could twist the frame. PS: Detune as an effect was not available at the time the Abraxas album was recorded. Great answers, but there is also one more reason for manufacturers to detune engines: can the vehicle take the torque A van isn't built like a sedan, and it's frame is built to handle weight (downward force).
#Detune company Patch
If (as I suspect) this Overtone patch is not really detune, you can use the pitch shifter section for it: a very slight pitch shift with the mix set rather low for a subtle effect.Works best in stereo so there's more separation. Their functions should be described in the manual. Not sure what the Upper Level / Lower Level settings are about. The Detune knob at the bottom likely is a level control to mix in the detuned signal. If it's at all standard, the Detune window on the right should be adjustable in cents and will alter the pitch of your original signal very slightly. I can't be sure it is actually detune and not an octave-up type of thing. I have the mda one, and I love the packet, but just that one seems to. So please direct me to a vst detuner, free if possible. So I wanted to stack up some audio channels with the same input and detune them in live. I don't know what the Overtone patch is, really. Artifacts wont be a really big problem, just want to detune about 30 to 40 of a semitone.
